“Now I’m ready to bring a new flavor to the work.” Part of that flavor is pure delight. Our resources are finite, and water is life.” Rahim honed her craft in the office of landscape architect Andrea Cochran before launching Dune Hai in 2018. Putting a historical perspective on contemporary landscape allows us to honor multiple heritages and traditions.” Her process is equally pragmatic: “You start with what you have-what’s the microclimate, who’s using it, how will it be maintained? You always have to consider environmental issues. “All art and design are products of the society and culture that produced them. “I approach design as problem-solving, and I love working with living materials, so the move into landscape felt natural,” explains the Texas-born principal of this East Bay–based studio. The waiting becomes part of the magic.” Ī bachelor’s degree in art history, coupled with a fascination with physics and structures, led Anooshey Rahim to obtain master’s degrees in both architecture and landscape architecture. Gardens are not about instant gratification. Sonkin emphasizes the loose, frequently improvisational nature of their process: “We try to let things unfold organically over time. “Their work is essential in establishing a specific sense of place,” Palmer says. Sonkin echoes that site-specific spirit, explaining, “We’re always trying to gather local knowledge-what kinds of plants are actually thriving in the places where we’re working, what are the plants that will attract birds and bees.” That focus extends to collaborations with Northern California’s extraordinary artists, craftspeople, and builders. “So much of what we do is about ecological restoration, smart design, returning landscapes to native plantings,” says Palmer. Palmer has a background in graphic design, while Sonkin’s résumé boasts studies in documentary film and food policy. Anastasia Sonkin (far left) and Taylor Palmer bring more than simply a love of plants to their practice.
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